Friday 28 January 2011

Section 11- Audience Feedback Questionnaire

Answer the following by either circling a number (1 lowert, 5 highest) or answering the appropriate question.

How entertaining was the film?

1  2  3  4  5

How realistic was the film?
1  2  3  4  5

How exciting was the film?
1  2 3  4  5 

Did it fit in with your view of a typical Thriller?


Did it leave you wanting to see more?

How would you rate the editing?
1  2 3  4  5

How would you rate the graphics?
1  2  3  4  5

How effective was the build up of suspense
1  2  3  4  5

How would you rate the shot variety?
1  2  3  4  5

How would you rate the lighting used?
1  2  3  4  5

Do you feel any shots were unneeded?


Would you say the idea was original and unique?


Was it fully understood? If not why?


Was continuity kept throughout?


If you were to approach us at the start of filming having seen the finished product, what areas would you advise us to change?

Section 10- Log Sheets and Edit Decision List and Diary






























Edit Decision List
We first captured all the recorded clips we wanted in our film from the tape to the PC, then using the recorded clips we put them into chronological order and played it through to see how it went, once we decided the order in was in was ok, we started editing in the order start to end, we added just a few transitions but our main editing purposes were to change and tweak the audio but also add our own music as well as keeping the natural sounds, we also had to crop a few shots and shorten them also.


Our main concern was in our original first finishedfilm the actual body bag being dropped over the bridge didn't look like it was human size, so we cut the whole dropping section, then instead have a close up reaction shot of the boy on the embankment then quickly changed shot to just see the bag creating the splash into the stream, the outcome was much better.


DIARY

Saturday 11th December 2010 - Filming commences on location at The Dingle, Appleton, Warrington. Approximately 3 hours filming in fine weather with no major problems.

Thursday 19th December 2010 - Capturing begins in edit suite. However all is not captured and is put forward to the new year.
















Tuesday 4th January 2011 - Capturing re-starts and all footage is captured onto the computer and imported into edit suite. Also the editing and putting together of the footage begins. Here is the full of our induvidual clips.





















Wednesday 5th January 2011 - Before editing takes hold, we made and produced some logos and titles for our film. Such as browsing fonts for E Block Productions, and a suitable font for the title of our production, Perception. The font we chose looked quite sinister and slashed, foreshadowing the events to come later in the production.


 Friday 7th January - Wednesday 12th January 2011 - Editing process, and the production is put together. Transitions are used, such as a white flash, symbolising a flashback of sort, possibly foreshadowing something to come.









Monday 10th January - Wednesday 12th January 2011 - Also the typography choices for general type, such as the credits, we used a simple, professional sans serif typeface, with a slight mysterious/western looking feel to it. This added to the feel of the production. Here is us searching for the right one:




Wednesday 12th January 2011 - Editing process is finish and production is ready to be rendered out as a different file format. Here is it playing.

Section 9- Production Scheduale

Section 8- Production Material/ Thriller Storyboard



Section 7-Reece


Shown here is the location for our thriller, just off Dingle Lane, Appleton, Warrington. This is a suitable location for our film as it is hidden away, it is included in a forest, it is quite and eery and mysterious place with landmarks such as an old stone bridge, sandstone cliffs, old rickety trees, streams and valleys. This would suit the format of our piece as we aim for the feel of the production to be mysterious and shrouded, which will be suggested by the location. The vast change in ground level suggests characters may be looking down on other characters, foreshadowing events to come later in the film.

Thursday 27 January 2011

Section 6-Character Outlines and Shooting Script

This was a combination of all our ideas developed in a brainstorm session, I then wrote up the script as my 3 group members added input.


Script


EXT-FOREST-MIDDAY-WINTER
Forest is shown, location is revealed. Two children run out from behind bush and through forest. Laughing and giggling – one chasing another in play.

Young boy (Simon) In dark clothing hands behind tree in a winter time forest, his hands are positioned to imitate a gun. He turns 180 degrees on the spot and pretends to fire into the distance

Simon: Bang Bang

His friend (Sean) keels over pretending to have been struck, move down slowly and laughing that rises in intensity.

Simon: hahaha, you count and ill hideSimon darts of in a hurry, excited and buzzing with anticipation. Occasionally looking back. Sean’s hands are over his face and then loud noises can be heard in the distance, his hands separate to reveal shocked face. Begin to tremble and look around nervously

Sean: Simon, I think we should go! (Shouting)

Sprints away looking anxious and looking for any route out of forest. Simon still happily running, emphasis and his excitement until it slowly changes to anxious looks.

Sean keeps running through forest paths, looking back occasionally.
Sean's facial expression turns to worry and despair as he checks the other paths to see which way he can go.
He eventually comes to a stream, with a road over a bridge and seeks safety.
Sean's foot splashes through the stream as he quickly crosses.
He clambers wearily up the bank. Revs of an engine are heard and Sean becomes scared and hides against the wall.
Car comes round the far distant corner of road at high speed, travels directly onto bridge, where skids/screeches to a halt.
Figures foot is shown coming out of the vehicle when the door opens.
Figure, disguised with black hat, gets out of car and walks hurriedly towards the boot. He opens it and retrieves a large black bag, he then walks towards the edge of the bridge and slyly throws the bag off, in which it lands in the stream and causes a large splash
Figure urgently shuts boot and returns to car.
He enters the car and screeches away in a hurry.
[UNDER BRIDGE – BELOW]
Sean, with the black bag right in front of him, is intrigued and cautiously moves down the bank towards it.
He hops down the bank, crouches and kneels forward to within touching distance.
He slowly feels around the bag, with a confused, yet slightly scared facial expression.
Suddenly, a dirty, brown and scruffy hand rips a whole in the top of the bag and extends upwards scaring Sean.
Sean falls back into the bank in horror, his facial expression scared and his mouth wide open.
Sean tries to clamber the bank, but the mud prevents this and his feet continuously slip.
He decides to run the other way through the stream, and under bridge.
(In the mean time the figure is slowly rising, however out of shot)
Sean is continuously looking back to check out the situation.
The figure from the bag slowly rising, crooked and jolty. He then wanders slowly the opposite way to the boy down the stream.
Sean keeps running until he feels he is safe and far enough away from the events that have just unfolded. [FURTHER INTO FOREST]

[END OF OPENING]


CHARACTER PROFILE


Anthony Thatcher- Thatcher is a hard working, loyal and fair District Attorney who is committed to aiding justice and seeing those who partake in tyranny behind bars. Although modest about his abilities, Thatcher receives praise and recognition throughout the state and in the Media. He is charming, selfless, professional and determined. However following the events of his assignation Thatcher becomes paranoid and corrupted within his mind. He no longer has any trust in the justice system and turns his back on the hope he once preached. He is now inflicted with depression which in turn presents anger and ultimately breeds a disregard for any values resulting in his mission of hunting down and murdering the justice Hierarchy for their deceit. He is 24 when the incident takes place and has clean cut dark hair with stubble and a strapping physique. With age Thatcher’s hair becomes thin and wire like, his face is waxy and thin (showing the signs of his torment).

Detective Roach/Young Child/Sean- In youth, Roach is scrawny and slight. He has glasses and a flop of brown hair with bandy legs. When we next see him in his post as detective he has grown considerable, appearing lanky. He sports a large brown overcoat over a suit and has maintained the use of glasses. Following his experience with Thatcher’s body in the stream Roach’s mentally completely changed (he was a care-free child) and he discarded his youth to pursue a career in law having never truly got over the event he witnessed. Much like Thatcher he rapidly propels up the justice ladder. His qualities are his cunning, keen eye and ability to never leave a loose end. This leaves many to believe he takes his job to seriously as he has no real social life or close family, leaving his intelligent mind constantly on the job.

Roach as a child (TOP PICTURE) and Anthony Thatcher after his attempted murder (BOTTOM PICTURE)

Section 5- Treatment and Sypnosis

Synopsis 
In this synopsis we were aiming to strike the balance between effective use of words and phrases and being informative without revealing to much, I felt this was executed well as phrases such as "Yet the scars of his experiences run deep" combine well with phrases that set the plot and tone, such as "who has recently caused quite a stir by locking up a number of high profile criminals".


Anthony Thatcher is a successful district attorney who has recently caused quite a stir by locking up a number of high profile criminals, however he soon becomes a target of their attention and is taken from his home with the plan of execution in a nearby forest. However Thatcher manages to survive and sets about to bring down those who conspired his death. Yet the scars of his experiences run deep and his revenge becomes a personal blood lust against those in legal power causing his mind to become unstable and fragile , making him one of the most dangerous men in New York. It’s the job of experienced Detective Roach to hunt down and capture him yet the detective is the final piece of Thatcher’s puzzle thus making a captivating and twisted game of cat and mouse.
Film Title: Perception
Treatment

The scene begins with a distant shot of a ere winter time forest, two young males can just about be seen below. Initially it is thought the focus will be on impending circumstances between these boys. The shot changes to behind the boy (Sean)  as he turns on the spot and fires toy gun in the direction of his friend (Joshua) opposite. The two boys revelling in there game get the giggles after one keels over as a joke. Sean’s friend then suggest a game of seek and hide and Sean obliges by heading off out of shot. The next shot is a XL close up of Joshua’s hands over his face as he counts, the camera zooms out until loud voices can be heard in the distance and Joshua’s facial expression turn to shock and he acclaim’s “Sean lets get out of here” before hurriedly running off, which is captured by a shot from behind him until he departs through the trees. We then cut to Sean and see a close up of his excited face as he runs looking for somewhere to hide. Then a distance shot of the forest landscape as Sean continues to jog along a path. The next shot is a close up low angle of a small stream, Sean’s foot plunders past as he continues to run, acceleration faster and faster and breath getting husky and heavy to show his fright at the apparent loss of his friend. Tension is building as the boy reaches what is small bridge with two embankments on either side. Suddenly the screeching of a car and distant voices growing louder Sean into panic and this is noted by his change in facial expressions and sense of physical awareness. Feeling uneasy and anxious he seeks cover and scours around heading towards the embankment. At this moment Sean is trying to remain as quite as possible and shot is medium close up showing Sean’s whole body and setting around tracking his movement until the shot becomes distant and a whole view of the bridge and stream/Sean/embankment below can be seen. The car comes into view and the camera once again switches to a close up of the car bumper and licence plate. After a few seconds of uneasy tension the car door opens and an ominous foot steps onto the gravel, before more can develop the camera cuts back to a landscape distance shot. Sean is aware of human presence above and voices can still be heard, a close up of his face expresses the concern and fear he is experiencing, shaking wildly and biting his top lip in an attempt to stay quite. The figures above are carrying a large load in a bin linear, they are about to dispose of young and successful district attorney Anthony Thatcher, who until recently was taking down the criminal hierarchy. The distance shot of the whole scene is repeated as the body is tossed over the side of the bridge and the camera pans down accordingly. Another close up of Sean’s face reveals his shock at witnessing this and is alert to what has happened as the assassins exclaim the job is done and a shot of the rear window is shown as they re-enter the car, giving a mysterious element to their character. The car shoots off in the distance and the camera switches to Sean who is frozen and clinging to the embankment. Another shot of the forest landscape is shown to give the impression of Isolation for Sean. Who now slowly makes his way toward the limp body in the stream below. The camera zooms out as Sean edges closer to show both figures followed by a shot from the opposite bank reflecting on the Sean. The next shot is a intense close up from behind the body bag at ground level, looking up to Sean as he arrives. A trembling hand stretches out from a curious and fearful Sean. Then the climax of all the tension as Thatcher’s arm thrusts out the bag and a terrified Sean slips backward (close up of legs and ground) before we see him running under the bridge away from the scene, the next shot shows him sprinting all out along the stream displaying his desperation to get away and this is finally achieved as the camera tracks Sean as he escapes into the distance and safety of the outside world. With suspicion over this incident rising we cut back to Thatcher plundering out the bag, stretching upwards and beginning a slow and weary walk, limping up the stream, this is captured by 3 similar length shots but from different angles.

Section 4-Audience Research

IntroductionMy group consists of myself, Tom Caldwell, Matthew Plumb and Sean Austin. Over the past few weeks in class we have watched and analysed Thrillers and taken on board plenty of aspects that we can incorporate into the planning on filming of our own Thriller opening scene. This gives us a chance to develop our knowledge into a practical piece of work and import our own ideas to themes we have picked up from the study of stimulus films. Firstly, to better connect with our audience and gain an audience standing of what we are aiming out we created a questionnaire that would give us a more specific idea of what we should be producing.

Thriller Questionnaire
How old are you ?

15-20          20-25          25+

Are you Male or Female?

What is your favourite characteristic of the thriller genre?
Crime - Murder – Violence – Disaster – Legal – Psychological – Historical – Medical – Conspiracy

Why?

What are your favourite thriller films ?



Which is the best location to film a thriller?
Dark woods, caves, natural..  – Urban environments – In the home – Abandoned environments

Lighting ?

Dark, dim, dull   -   Bright, revealing and clear

Weather?
Rainy and dull  -  Misty and foggy – Sunny and Bright

Victim?
Male  -  Female
Victim Age?
15-20          20-25          25+

Villain?
Male  -  Female


Villain Age?
15-20          20-25          25+

How much would you pay to see a thriller?
Up to £5  -  Up to £10  -  Up to £15

What appeals more?
Fast paced, action  -  Slow paced psychological disturbance

What do you think is missing from the thriller genre/ or like to see more of?




THANKS FOR PATRICIPATING


RESULTS:































Section 3-Classification of Film

15 Certificate content
 The following is a list of the content that can be shown in a 15 certificate film which i took from the BFI website
:
Theme: No theme is prohibited, provided the treatment is appropriate to 15 year olds.

Language: There may be frequent use of strong language; the strongest terms are only rarely acceptable. Continued aggressive use of strong language and sexual abuse is unacceptable.

Nudity: There are no constraints on nudity in a non-sexual or educational context.

Sex: Sexual activity and nudity may be portrayed but without strong detail. The depiction of casual sex should be handled responsibly. There may be occasional strong verbal references to sexual behaviour.

Violence: Violence may be strong but may not dwell on the infliction of pain, and of injuries. Scenes of sexual violence must be discreet and brief.

Imitable techniques: Dangerous combat techniques such as ear claps, head-butts and blows to the neck are unlikely to be acceptable. There may be no emphasis on the use of easily accessible lethal weapons (in particular, knives).

Horror: Sustained or detailed infliction of pain or injury is unacceptable.

Drugs: Drug taking may be shown but clear instructive detail is unacceptable. The film as a whole must not promote or encourage drug use.



We have decided to classify our film as a 15. Being under the aged of 18 we could not a film a 18 certificate and also want to reach out to a wider audeience range and feel when sutible a film shouldnt miss the key age bracket of 15-18. We feel a 12 would be too young and would restrict our film, we want to develop and present ideas that would not to be right to be shown to someone under the age of 15.

Section 2-Analysing Thrillers-DARK KNIGHT


 Narrative Structure
The films begins with a bank job conducted by men wearing clown masks, this instantly gives off the impression they are hiding something and also hides there emotions which would highlight there ruthlessness at getting the job done. The eyes are red which can be interpreted as a sign of blood perhaps what is to come. Upon completion of each specific job one clown robber shoots the other (less people to split the cash between) showing their lack of mercy and signifying just how deadly these men are. Something which is repeated when they display their aggressive prowess when beating up those in the bank and putting grenades in each of their hands, this is a big indication of the type of lengths these people will go to. During all this their is small dialogue about "the joker" and the men express their views on his lack of involvement, leadership and persona, this creates a echo around an unknown character. The bank manager then pulls out a shot gun and begins to fire on the 3 men, this is stark contrast to the previous control that the men had and he is dominating, however having ran out of bullets he is shot down, perhaps signifying you cannot defeat these men. They all seem to have a incentive to kill one another, expressing greed yet its the Joker who is the mastermind as he has been in clown disguise all this time and has conducted not only the bank job but the killings off of all the others. When the bus arrives and casually drives out into a row of other school buses the job is complete and this has set the tone of just how clever and efficient this joker character is.

Cinematography
The scene is set well by a long shot of city landscape and then we see how effective zoom can be as it zooms in one window(of many) which eventually cracks to reveal the clowns. This is a good way to introduce the danger as there was a build up of tension signified by the zoom. In the zip wire scene the shot covers just how high up they are to give the audience as sense of how big this operation is. When the clones are killed off by their partners the camera both times is showing from in front of the victim displaying the killer raising the gun, this elevates the element of surprise that the killer has as your seeing him do it yet the victim can't. Also the victim's dead body/blood is never shown properly so this highlights the efficient, swift and cold blooded nature of the killing.

Sound
Straight from the off there is a loud boom once the window is smashed, this puts into motion the music and is intended to bring the audience straight into the action with no delay. The theme then develops and is a edgy ticking theme, perhaps suggesting what is to come, It is setting the tone for the importance of rhythm and time in this operation. This theme continues throughout the heist but there is a pause in it when one clown assassinates the other, emphasising the sound of the gun and giving the killing a deeper effect. Itt quickens in tempo as the action gets more aggressive and the bank manager begins to fight back, music is in parallel with the attitude and pace of the robbers. However once the bank manager is disposed of and only the Joker (disguised) and one robber is left the music cuts completely, suggesting an end to the operation and foreshadowing the impending death of the other clown (who is then hit by a bus) which is the final piece in the puzzle of each clowns murder. No music can be heard as the joker escapes in the bus, perhaps to show how his plan has been a success as he is fitting back into the normal world (e.g. only the noises of the city can be heard).

Character Profile
Each clown seems to represent a specific job required in the heist (e.g. one for cutting power, the other for opening safe ect) suggesting these men are professional and also experienced killers. This highlights even further the Joker's intelligence as he has chosen the best but is able to dispose of them all. The clown masks give them all a unity and disguise emotion which give them all a more cold and mercy less persona. The Joker himself (as I'ver touched on) is incredible smart in the conducting of this plan. He plots he man against the other using their lust for money for his advantage, but ultimately its his lust for the job to be success by ensuring each one is killed. He also informs another clown that the bank manager is out of bullets when he isn't, the hope the bank manager will kill the clown thus leaving more for the Joker, this shows how disloyal he is and that he is in it for himself and himself alone. Another good example of the extreme lengths the Joker will go to is the brutal handling of the staff and how he makes them hold grenades, representing his inhumanity. Yet he has craft, style and intelligence. To pit each man against each other, get all the cash and escape into a heard of school buses that the police cannot possible be sure of is a cunning plan and it is a hint of what is to come form the Joker and what a difficult enemy Batman is likely to face. I think this bank scene was all about setting the platform for the Joker's enigma to be bolstered before he weaves his way into the plot involving Batman.

Section 2-Analysing Thrillers-SILENCE OF THE LAMBS


Narrative Structure
The scene is set in erey woods with a fine mist settluing in the backround, Jodie Foster's character is only and appears to be on some form of assualt coure, suggesting possible occupations. As she jogs alone the dramatic music builds up and the camera behind he is a hint that she may being followed which hightens the audiences anticipation for something to come. Yet she is stopped by a official of some kind and sent to see someone. This cuts all the previous tension as the man is acting as a sense of secuirty and previous thoughts of something bad happening to her whilst on the run are gone yet it seems was puroposeley done to create false fear. We get indication she is a central character and is also ranked quite highly as she is asked to visit a senior and has position in a male dominated environment, something which is highlighted in the opening sequence (e.g. she enters a lift with 5+ other men and no women). Also mostg inside the bulding are in formal dress and she is in "joggers and sweats" perhaps suggesting she is (and viewed) as an outsider. This may just be my impression but I think it comes across she is rather independent. The first sign of sinister insentives comes in the office when we see graphic images of a murder on the wall and the mention of a current enigmatic character "Hanibal Lecter".

Sound
The music is almost violent but in a structured tempo, its quite sharp and dramatic yet has a pace that suits the ereyness of the scene well. Gradually it builds and this adds to the idea that something is going to happen to Jodie Fosters character.

Mise En Scene
Woods is a typical setting for a thriller and this is somewaht of a convention, It's a area which can represent mystery and a labryrinth. The mist also adds to this effect, mist is associated with the unknown and the unseen, suggesting danger and that something may be lurking in the mist. The lighting is very stereotypical, low and dull again creating a deep mood. Also another point to make is the bare trees, autum time, the trees are stipped of any properity of pleasentry the leaves may represent. In terms of props, uniform is a key element, as I've already mentioned the formal dress is in contrast tot he main character and also her uniform and the man's vest/cap give some backround (FBI).

Cinematopgraphy
Begins with long shot to show the overasll setting before honing in on the main character, introducing her and what is going on. Then the camera tracks her as she continues on the run, from a distance that is close enough to give the audience every aspect of what she is doing but also to take in the surroundings. Also it moves in a slightly disturbed way suggesting it might be someone who is looking at her as the angle chops and changes like an uneven run. Then finally a close up shows her facial expression and the audience can interact with her emotion incase anything drastci happens.

Graphics
The titles to begin with are extremely bold and simple. Unlike other thriller films there is no montage for the opening which we can withdraw clues from however the large bold font is almost a statement of intent, no-nonsense and to the point.

Section 2-Analysing Thrillers-NO COUNTRY FOR OLD MEN



Narrative Structure
The films begins with first person narration voicing over shots of scenery, relevant to the setting of the film. This technique is commonly used to not only set the story/back round or give it a moral meaning (e.g. sommersets' voice over at the end of the film "Se7en") but also to give is a abstract effect. For example in this film Tommy Lee Jones introduces himself as Sheriff of this county ,that we are seeing several shots off, yet soon moves onto a story of a young boy who murdered a girl and claimed he would happily do it again and knew he was going to hell. This although on first hearing slightly irrelevant It has a deeper meaning and sets the tone for the whole film. It is almost foreshadowing what is to come, the theme of the film and the nature of the murderous character (pure and undoubted evil). The audience can almost have a taste of what they are in for form this narrative and the distant shots and low humming wind give a all together chilling opening. We then are given the first indication to who is involved in this film. A formidable and creepy looking man is taken to a Sheriff's station, we then see the man walk behind the Sheriff and strangle him to death, he does this with apparent ease suggesting he is a experienced killer and giving the audience a sign or more sinister things to come form him. He then performs another murder on a apparently innocent man, luring him to the side of the road in a police car and calmly yet brutally shooting his point blank in the head with a captive bolt. Giving more indication to just how cold and inhuman this man really is, and adding to his mysterious and fearful persona.

Sound
In terms of music to put it simply, there is none. However this does not mean there are not clues to be extracted for this reason. Music is often used to give a added dimension to a scene, the music often fitting in with whats happening on screen and more often than not in a thriller it is dramatic. Although a lack of sound can be just as effective, firstly, It focuses the viewer to the dialogue (in this case the all important narrative) and can create a sense of mystery and build tension. This is used especially well in this film as the setting is in distant country in American meaning it is underlining the isolation all these character have. The sound is all digetic meaning each foot on gravel and closing of door can be heard, really adding to the suspense and sense of evil amongst the distance (county ) that is apparent in the start of this film.

Character Profile
Tommy Lee Jones' character (although heard not seen) can be interpreted as a good-to-do Sheriff who is perhaps coming to the end of his tenner. This is not simply because he sounds old but because he talks of "the old timers" and is recollecting on the past. We can gather that this Sheriff will play an important role in this film having seen what the man who murdered the young Sheriff is capable of. The man (unnamed at this point) is a very interesting character, he appears to lack any form of human sincerity or emotion, he carries out his murders in a ruthless fashion (showing he has done this before and could be some form of assassin or bounty hunter).His voice has a very distinct deep and husky tone, a clever ploy to add to how unique this man is, but in the most terrifying way. He is calm and collected displaying a almost alien nature in the way he appears to have no real morals or code of conduct. His methods are blunt and sinister and It reflects the theme of the film and adds tot he tension in the ensuing "cat and mouse" chase later on as this character is so enigmatic.

Mise en Scene
Credit should go to the director's of this film (Cohen brothers) who's mise en scene takes in every tiny aspect and detail and translates it into a film that is more believable than most. There is a variety of ways in which this is done, for example the lack of elaborate graphics and introduction titles give the audience a view they are immersed in the story of the film right form the beginning and aren't introduced to some spectacle merely meant to entertain them (as film is also meant to connect with the audience, especially ones portraying realistic scenarios). Once again the lack of music adds to this effect as it all sound that you could hear if you were present in the film. In the opening there isn't a single shot that seems distant and un-real, all is relevant and its all blends together in a compact realistic setting that blurs the lines between film and reality. In terms of props it is all very in theme e.g. the police car is distinctly worn down and the uniform and clothes are typical of the time period (1980's) and the setting in which it all takes place. A example of this would simply be, American countryside, cheque shirt and denim wear would be common clothing. These details culminate to create a sense of reality that is unnaturally close to that of our own.

Section 2-Analysing Thrillers-AMERICAN PYSCHO


Narrative Structure
The opening titles are set against a backdrop of falling blood drops, this is indication of what is to come yet It doesn't necessarily fit with the elegant music and upcoming scene. All seems initially quite well as Patrick Bateman (Main character) and friends discuss affairs at a privilege restaurant, showing Bateman is a upper class member of citizen and is socialising with what you may call "toffs" giving the audience back round info. This is leading the audience Into a somewhat false sense of security as we see now impending danger. Bateman then travels to a nightclub and we see the first sign of his psychotic behaviour. Whilst talking to a waitress he mutters of how he will brutally murder her before turning pleasant once more (the following day he goes to the dry cleaners with a set of bloodstained sheets, suggesting he committed this act and thus the first act is thought to have been committed but no confirmed as it hasn't been shown). Although brief we know now that there are clearly underlying issues and the viewer anticipates how these will be carried out. The next scene is Patrick describing his persona whilst carrying out a rigorous morning routine and with through his choice of words there is more proof that things are becoming sinister in his head and perhaps for those around him. His routine is unbelievably precise and detailed, taking great pride in his appearance but perhaps to a creepy extent. Coming across as isolated but embracing this and not content with others around him. His apartment is classy and modern reflecting his care in appearance. With all these factors combined the audience can't help but feel something seedy lurks in this characters background and that this immensely healthy image on the outside is a indication to dark on the inside. Then in the last moments of the scene he transfers from description to a brief but chilling account of how he is a "entity", and "simply not there" distancing himself from the edges of human sanity.

Sound
Music plays a key role in the opening part of the film, It is in theme with the upper class and high society lifestyle Bateman and his colleagues lead, piano based with a classy feel. Setting the scene and linking with Bateman's image well. Also it quite dramatic and is in theme with the images and showing of blood in the opening credits. In the routine scene the music is calm in sound yet fast piano playing with a repeated theme and rise and fall in tempo (notably lower when he speaks). As Bateman's dialogue changes to more sinister meanings the theme takes a change to and becomes a bit darker, in a lower key before ultimately tuning out and into a quite screech. This is parallel to the mood of the scene, steady and rhythmic then a twist at the end. In the card scene this technique is used again, the music come sin when Bateman is getting frustrated and is echoed and dark, with a slight beating drum in the distance.

Character Profile
Patrick Bateman (portrayed by Christian Bale-best known for Batman) is a complex character with a twisted set of values and moral views. He is a complete enigma and manages to display a image that keeps his bloodthirsty self at bay, until it is released in certain instances. Yet there is a constant insanity within the man and he appears to embrace this. He is not a stereotypical serial killer in film, his methods are tested and cunning. Luring people in with his false facade and then brutally murdering them. However in the opening scenes no murder has yet to take place and we can only judge Bateman on the occasionally "slip of tongue" he gives about his seedy and sinful ways. He is constantly smart and well groomed, adding to his convincing portrayal, and is usual well spoken and intelligent. Yet snippets of his delirious self are shown, e.g. when he is in the cleaners he openly shouts how he will kill the shop owner yet this is disregarded. "My mask of sanity is slipping away" a quote that suggest even Bateman himself is doubting himself and how he can go hiding his lust for killing. He seems to detest many aspects of life and is ignorant to those around him e.g. when his girlfriend is talking of marriage he has his headphones in and dismisses it with "I can't take time off work". Also his is very observational and present everything he says as spot on. A final point to make is when Patrick states "I want to fit in" indicating he sees himself as a outsider and backs my point made earlier about him seeming, inhuman.

Cinematography and Mise en scene
The shots in the routine scene are particularly interesting, a distant shot of his apartment gives the audience a feel of this man's lifestyle and then we cut to Bateman, close up of his reflection in a panting is used to good affect as it represents a duel personalty. Each action Bateman describes is shown in the scene e.g. the shampoo and a close up of him peeling off his facial mask is symbolic of his "mask of insanity". The props used e.g. the facial cream, ice pack etc are used well to create greater effect on the detail Bateman is going into. The other characters around Bateman are presented as fat cats of the business world and although intellectual we are given the view that they are below Bateman's superior knowledge, e.g. the way he judge's/accesses them in the office commenting on how he is alike some someone yet has "a slightly better haircut" and "this complete dickhead Marcus", suggesting the fickle and. The card scene being a fantastic example of this, in which they compare company cards (all very elegant), a very materialistic and snobby act yet one which highlights Bateman's fragile mind as he becomes notable disturbed that theirs are better, to the point where he physically sweats. The camera shows a close up on Bateman to reveal this and thus makes the scene even more intense.

Tuesday 25 January 2011

Section 2-Analysing Thrillers-JAWS




Narrative Structure

The iconic music is played in a rhythmic tempo that rises as the scene goes on. The titles are blue and green (same colours associated with the sea) which gives indication as to what is to come. The view is from the Shark, it is moving at a fast streamline pace as if It has a goal, this introduces tension from the very beginning. We then see It cut to a scene of a young group of teenagers on the beach. The audience can gather the time period by the use of clothing, hair and attitudes/social situations of teenagers at the time. Initially it appears as a calm setting, the hum of guitar contrasting to the previously on edge theme. Perhaps laying down a false sense of security as there is unease about what is to come. The camera stops panning right and we are introduce to what would appear the two main characters in this scene (Chrissie and a young male). After making eye contact they decide to run and go swimming, Immediately the audience is alerted by the fact they have left what can be seen as comfort zone (the group of teenagers). Suspense builds as they get further and further way and Chrissie strips of showing her vulnerability as she enters the vast seen alone. The male is feebly chasing after her clearly intoxicated despite claiming "I'm not drunk". This leads to a poor lack of awareness and he ultimately passes out on the shore. Chrissie swims out a fair distance and the audience begin to speculate, more a question of when the Shark will attack than if it will. No noise can be heard just her and the water to emphasise just how alone she is. The sun is rising yet the water is a murky grey and the sky a dull sheet, this use of colour is setting the atmosphere for the attack. As I will elaborate on later the attack scene is very much a suspense building and a climatic finale to the build up of the previous scenes. The shark is shown to be in power and the girl helpless as she is thrashed around producing screams of help to terrify the audience. She is engulfed under the water and nothing else is seen,the shot lingers over the sea to show she is well and truly gone and for the impact to have its effect.

Cinematography
When we are shown the group of teenagers there is a pan shot from left to right, this is introducing the atmosphere and characters so the audience can interact with the situation. It stops and we see a close up on the two main characters to introduce them as the vocal point of the upcoming scene. What is known as a "worm shot" is used to show the Shark's view from underneath Chrissie, emulating its power and threatening potential, how it is in control and ready to pounce. There is then a close up of Chrissie but due to the lack of light you can't really see her facial expressions much, a clever ploy so that concealment is kept (just like it is with the Shark's view). We never see a shot of underwater after the Shark's initial attack, this creates a element of mystery and doesn't give too much away, giving the Shark a more pounded ego and ultimately increasing the audiences' fear as they aren't given clear indication of what it is like. The most interesting shot is when Chrissie is shown as a small figure in the huge ocean and all you can see is the sea for miles and miles on end. Truly summing up her isolation and the audience can better connect with how alone and vulnerable she is. Also the contrasting shot of Chrissie's peril in comparison to the male who is calmly drifting away on the beach.

Sound
The music to begin is ere yet in a fast passed drumming tempo, this creates the tense atmosphere but also gives a sense of warning and violent threat. As Ive hinted at the music on the beach is calm and relaxed, creating a safe and warm environment, this is in contrast to the theme hear initially and also the music used once Christie and the man have left the group, this is used to create a sense of protection in the group which is then broken. The areas of the opening scene where there is no sound (e.g. when Christie is in the water) is used to good effect so that the audience can focus on the imagery and gather the sense of emptiness in the ocean. The non digetic music at the beginning is in a minor key thus setting a dark tone and hinting as to what is to happen later on.


Character Profile
JAWS(unseen), Christie and the young male are the 3 characters shown to the audience In this scene. As i touched on the circle of teenagers is a signifier to there mood and situation, drink, drugs, chilled, music, free love (all key components of a stereotypical 60's-70's American lifestyle). Drugs and Alcohol slow down the mind and this is evident in the case of the male, he is drowsy and unassertive, meaning the audience could doubt later actions (they would be right as he passes out). The girl Christie is portrayed as innocent and perhaps slightly childish (the she eagerly runs off to the sea and laughs), representing the perfect vulnerable figure, used as bait for the Shark that we know is coming. She is shown (in a above shot) to be out the circle and this could suggest she is unwilling to take part with the others or somewhat of a outcast.

Mise En SceneConcealment was used to begin with as the audience expects the Shark to attack straight from the off but It doesn't as It cuts to the beach scene. The hair and clothing of the characters are all in theme with the time period which is parallel with the activities they are doing (drink, drugs). We can assume it is dawn and the sun is just about to rise as the characters look worn out, tired and there is little movement, suggesting an "allnighter". The lighting is dull and grey, foreshadowing the ere atmosphere beyond the safety of this circle on the beach.  The props used (e.g. guitar and harmonica) represent the ambiance of the situation. Also the final shot just shows the sea, showing no one is alert to the attack, it has swiftly been and gone and the ocean is once again the Sharks to roam, creating a nervous feeling.


Section 1-Thriller Genre

Many misunderstand the term Thriller and accosiated it to closey with Horror films. When infact a Thriller is a totally different genre in it's own right. In my view a Thriller is one of the most complex genre's in Film, Television and Literature incorporating suspense, tension, psychological factors, excitement that is intented to keep the audience guessing and on the edge of their seats. They usually bring out the highest form of human emotion in anxiety, anticipation, fear and asousal and revolve around sub thriller catergories such as
Crime
Murder
Violence
Disaster
Medical
Legal
Pyschological
Conspiracy
Historical
and many more
Thrillers can range from crime based with scenes of a gorey nature to intense pyschological ones in which the audiences logic is put to the test. The intentions of a Thriller are to captavate the audience in realistic ways through suspense, red herrings, twists and turns, unpredictablility and gripping terror that challenges and interests the mind.